Nina Simone is one of those artists. Recorded for a Nina Simone tribute, Blige’s rendition is a contemporary soul version that’s definitely looking toward those elements in Simone’s version, keeping the arrangement rooted in melancholic piano figures. The Animals released it on the single Don't Let Me Be Misunderstood in 1965. Catalan, Ik bedoel 't altijd zo goed written by Jorma Toiviainen We’ve Got A File On You: Juliana Hatfield. It’s hard to come up with the names. Situated right alongside his version of “With A Little Help From My Friends” on his album of the same name, Cocker’s rendition of “Don’t Let Me Be Misunderstood” is an outlier in the pack. written by Jukka Välimaa Later it was covered by The Animals' lead singer Eric Burdon (see: Don't Let Me Be Misunderstood) and followers, such as Joe Cocker (see: Don't Let Me Be Misunderstood ), Santa Esmeralda (see: Don't Let Me Be Misunderstood ), Place … read more. Don't Let Me Be Misunderstood In Simone, you have an enigmatic and complicated artist with a stunning, idiosyncratic voice. written by Raul Reiman That’s John Legend, ever the talent in a calm and pseudo-anonymous way, covering “Don’t Let Me Be Misunderstood” in the early ’00s, sounding exactly like you thought he would. The most important stories and least important memes, every Friday. There’s a paradox with some artists — the legends who stand apart from so much of pop music history in such a way that would seemingly make their music untouchable. Single 2009 г. Finnish, Ou nou Theirs is that same blues-crawl sunset as Cocker’s, opening with that tearful guitar line. Hi. The Animals released their cover of the song at the end of 1964, and it reached #3 in the UK, #4 in Canada, and #15 in the US in 1965. Her influence is vast, and her voice is so distinctive that it’d seem impossible to have her music rendered in any context outside her own body of work. The Sun Secrets version is excessive in a kind of frayed and fried way, a harder and more freaked-out reading of the song that captures the sound of the ’60s bursting and tumbling into the dejection and decadence of the ’70s. English, Don't Let Me Be Misunderstood It was covered by The Cat and Owl, Ulli Bögershausen & Mohammad … "Don’t Let Me Be Misunderstood" was written by Bennie Benjamin, Horace Ott and Sol Marcus for Nina Simone, who recorded it in 1964. Anyway, their version of “Misunderstood” is a pretty idiosyncratic arrangement compared to everything else on this list, but the whole vision of a purple puppet singing this is still very strange. Upon further investigation, turns out Red Band is an Israeli puppet cover band with a TV show, or something. It’s not the most inspiring image of the legacy of the ’60s, and the song’s rearrangement is pretty whatever — Burdon does his thing still, but at this point it’s easy to feel like his reinterpretations are starting to run their course. German, Misunderstood Covering the song only a year after Simone released it, the Animals were the first to put their own stamp on it, and they created the archetype that most artists would follow when offering up their own versions of the song. written by Pertti Reponen The Muses' version of the Santa Esmeralda classic, "Don't Let Me Be Misunderstood", as made famous again in Kill Bill. It was news that seemed completely logical — historically and thematically, the song fits right into Lana’s overall persona, especially after the simmering humidity of last year’s Ultraviolence. Most notable covers: The Animals - Don't Let Me Be Misunderstood (1965) Santa Esmeralda - Don't Let Me Be Misunderstood (1977) View wiki A year later, this is what’s happening. Of course, Pentagram are legendary on their own merits, and this version is thoroughly their own, too. By the time you get to the big throbbing break, it sounds like there are a bunch of goals at play and none of them are really being reconciled. And the resulting cover sounds about exactly as you would’ve predicted based on news that Lana Del Rey was covering “Don’t Let Me Be Misunderstood.” Though it comes from her new album Honeymoon, her rendition of the song has the sort of smokily detached emotion that dominated Ultraviolence, the characteristic that made that record great. Finnish, Sä vain tiedät yksin mistä aloittaa written by Bennie Benjamin, Gloria Caldwell, Sol Marcus There’s a lot of touches and textures unique to this take on the song: the warped electronic beat in the outro, or the way the piano part is re-contextualized as some kind of horror-movie soundtrack, a few mournful guitar lines. It fits nicely into where Lana excels: her burnt-out Pop Art take on Americana. Our ads are not too obtrusive, promise. "Don't Let Me Be Misunderstood" has been covered by many artists, most notably by The Animals, whose blues rock version of the song became a transatlantic hit in 1965. It’s a touch that sets his version apart, and even if it’s a brief touch, it’s one that’s gorgeously and gently emotive. Well, since there isn’t a legit Black Sabbath version of “Don’t Let Me Be Misunderstood,” here’s Pentagram’s, which gives you an idea of what might’ve happened had Ozzy and co. actually covered the song back in their heyday. And yet, her career yielded several standards that have been covered over and over. A 1977 four-on-the-floor disco rearrangement by disco group Santa Esmeralda was also a hit, while a 1986 cover by new wave musician Elvis Costello found success in the. Covered Don’t Let Me Be Misunderstood (Nina Simone) – Eliza Shaddad . It was covered by The Cat and Owl, Ulli Bögershausen & Mohammad Tahmassebi, Νίκος Τσιαμτσίκας, Simon James … The rest is just for her. In 1968, we’ve got the Moody Blues playing it with a goddamn flute, the psychedelic vibes of the decade’s latter half in full swing even if we don’t have a bunch of zoned-out harpsichord or whatever. written by Frank Houtappels It’s funny how much of a difference three years can make. It’s the Tori Amos archetype, and usually Tori Amos has covered the song. Would you please disable adblock? Where the Animals’ version was a taut, two-and-a-half-minute pop rendition of the track, Burdon’s solo version stretched to eight and a half minutes, sprawling out into a final two minutes full of echo-laden screams from Burdon. In 1977, Santa Esmeralda had their own hit with a cover of “Don’t Let Me Be Misunderstood,” this time a disco rendition with elements of Latin music and flamenco. There’s no real way to approach it directly, to try perform it just like she did. On that tour John opened with some songs that he had loved when he was growing up so we have The Animals Don't Let Me Be Misunderstood then Left Bankes 1966 hit Pretty Ballerina and then Lee Dorsey's 1961 hit Ya Ya. Back in the ’70s, a dude named Chris Sedgwick enlisted his friend Ozzy Osbourne to sing backup on a rendition of “Don’t Let Me Be Misunderstood.” And while Ozzy’s super-distinctive voice is obvious when it pops up, this is otherwise a pretty straightforward ’70s rock arrangement of the song. Firstly coming from a 1965 single, " Don't Let Me Be Misunderstood " is one of the most famous songs of The Animals; it was originally w… read more. Lil Wayne sampled it once, too, but this Common track uses the sample so well I’m making an exception for the list. As many years have passed between that unfortunate vision of Burdon on the beach as had passed between that moment and the original release of the Animals’ “Don’t Let Me Be Misunderstood” in 1965. It’s still a thoroughly ’60s rock reading, of course — even if it dispenses with the organ intro the Animals introduced into the equation, it does have a big organ solo section and that crying blues guitar intro. written by Bob Bouber instrumental, Comprensió That being said, Elvis Costello’s version of “Don’t Let Me Be Misunderstood” took me back to some version of the show’s world, in a “vague excitement about what could come next” kind of way. written by Lasse Mårtenson Not that I’m overly familiar with Burdon’s ’80s work, but, man, this performance from 1990 is exactly what I’m talking about with the depressing developments of the ’60s greats by the time they hit their 20- or 25-year mark. written by Bennie Benjamin, Gloria Caldwell, Sol Marcus It looks like you're using an ad blocker. Lauper’s version isn’t bad by any means, but it isn’t so imaginative. Still, uh, I’m not sure that this being 12 minutes does the thing any favors, especially when it’s just solo after solo and not necessarily built around any passages that give the song some sort of arc. The Original London Beat released it on the EP Don't Let Me Be Misunderstood in 1966. The song is a cover and she released it November 2019, which was … They were the ones who made it a hit. Rather, there’s a way you could interpret Simone’s music as a blank canvas; you might reference her work but still need to manipulate the music to fit within your own personal aesthetic. Within the rock and indie sphere, the song that looms over pretty much everything else has to be “Don’t Let Me Be Misunderstood,” a track written by … And, well, it sounds like Burdon had discovered some new drugs and/or Led Zeppelin in the ensuing near-decade. There’s something darkly indulgent — almost lurid-sounding — about this version of “Don’t Let Me Be Misunderstood,” making it one of the more unique covers of the song, and one of the more worthwhile ones to revisit. There’s a whole array of awards reserved for when nü-metal acts cover songs way out of their league, because it’s a safe bet that it’s going to come up every single goddamn time you have a song that’s been covered as much as “Don’t Let Me Be Misunderstood.” Usually, I’d go with the “Good God, How Did We Let This Happen” Award for our friend Brent Smith of Shinedown, who provided a cover of the track for Birdman last year, but that award’s been reserved for someone else, so here we have a brand-new award, minted for the perversion of nü-rock coming into direct contact with the legacy of Nina Simone. مشاهدة تحمـيـل . It’s almost strange to hear it now, with the Animals having provided the blueprint for so many of the pop covers over the decades. تحميل don t let me be misunderstood. Type: Song, Lyrics Languages: English, Writers: Gloria Caldwell, Sol Marcus, Bennie Benjamin, ISWCs: T-070.261.139-9 On one hand, maybe that counterintuitively opens up her music. Don't Let Me Be Misunderstood by The Original London Beat was written by Bennie Benjamin, Gloria Caldwell and Sol Marcus and was first recorded and released by Nina Simone in 1964. To be fair, the small bit of Smith’s cover that’s audible in the movie’s trailer doesn’t sound like a complete trainwreck, but it’s hard to really judge without knowing whether a bunch of awful guitars are about to come squealing in. The Original London Beat released it on the EP Don't Let Me Be Misunderstood in 1966. Still, let’s be honest: Today, the calling card for Santa Esmeralda’s version of the song is the fact that part of it soundtracked the climactic swordfight between Uma Thurman and Lucy Liu in Kill Bill, Vol. Finnish, Voitko edes vähän ymmärtää A 1977 four-on-the-floor disco rearrangement by disco group Santa Esmeralda was also a hit, while a 1986 cover by new wave musician Elvis Costellofound success in the B… Nina Simone sings Don’t Let Me Be Misunderstood with an effortless strength that seems to come from a place within her soul that she is very familiar with accessing and we, the listener, are blown away by just a glimpse of the power she has. English, Dabei weiß die ganze Welt, ich liebe dich Santa Esmeralda Dont Let Me Be Misunderstood Esmeralda Suite HQ Full Version mp3. written by Ramon Folch Anna Christine plays the piano flawlessly, and delivers a captivating vocal arrangement of "Don't Let Me Be Misunderstood. The “Most Likely To Succeed” Award is something that goes to a safe bet, something predictable and unsurprising. Released on the Place of Skulls' album titled Nailed (2001) View wiki Think this season’s dream sequence, the one set in some kind of purgatory in Ray’s perennial watering hole, soundtracked by a Lynchian performance of Conway Twitty’s “The Rose.” Something like that, with Costello’s rendition simmering in a smoky, seedy lounge someplace. secondhandsongs.com. Fifty years later, people are still covering it — Lana Del Rey’s new album, Honeymoon, closes with her interpretation of the song, which in hindsight feels like an inevitable inclusion in her career. Don't Let Me Be Misunderstood Lyrics: Baby, you understand me now / If sometimes you see that I'm mad / Don't you know no one alive can always be an angel? written by Takao Kanbe Don't Let Me Be Misunderstood has been covered by many artists, most notably by The Animals, whose blues rock version of the song became a transatlantic hit in 1965. The Moody Blues released it on the album Live at the BBC 1967-1970 in 2007. Dutch, Droomdans written by Jack White [DE] Dutch, In mijn ogen kun je zien wat ik bedoel written by Don Ray [FR], Jean-Manuel Mobillion de Scarano, Nicolas Skorsky It lives on as one of their most recognizable songs; and, as you’ll see with some of the covers below, the Animals’ version sometimes eclipses Simone’s original, as it became the template for most of the notable covers of the song. 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