With pressure mounting from local gallery owner Farnsworth to deliver his next masterpiece, Adam sets about procuring as much glorious haemoglobin as he can muster – first from himself, and then from anyone unfortunate enough to pass by his sickening studio of slaughter.

“Tenebrae” aka: “Tenebre” (Dario Argento, 1982). I co-founded Film Colossus and run the Colossus Movie Club. When a man barely survives a brutal assault en route home from a New Year’s party, washed-up, whisky-swilling journalist Andrea Bild (Franco Nero, Django) is assigned to report on the case. I cover trends in the video streaming industry. Get The Latest IndieWire Alerts And Newsletters Delivered Directly To Your Inbox. Giallo took liberal inspiration from prior filmmakers, and this film, which comes five years after the movement began to wind down in Italy, shows how effective the genre’s ideas could be when traded back to an American filmmaker reaching the height of his game.

This new 2K restoration includes plenty of special features and has an intro from Horror Express super fan and horror journalist, Chris Alexander. A briskly paced and brilliantly stylised mystery that grabs its audience from the start, My Name Is Julia Ross immediately cemented Lewis’ place in the noir pantheon, and anticipated the elaborate identity-based deceptions found in future classic thrillers like Alfred Hitchcock’s Vertigo and Brian De Palma’s Obsession. Blood and Black Lace (Arrow/MVD, Blu-ray+DVD) Here you'll find all collections you've created before. A uniquely dreamlike take on true crime, The Possessed is presented here in a stunning new restoration. Joe Corey. Death Walks Twice: Two Films by Luciano Ercoli (Arrow/MVD, Blu-ray+DVD) The Possessed has a writer decide to blow off his life in the city and head back to a seaside hotel in order to hook up with a maid. (US/CA) [Blu-ray] 17th September 2019 The Prey (US/CA) [Blu-ray] 17th September 2019 The Hills Have Eyes 2 (US/CA) [Blu-ray] 17th September 2019 Language: English

When many gialli have been rediscovered, revived, and thoroughly dissected, “Perfume of the Lady in Black” is probably the least-seen film on this list, and the most deserving of a second chance. The Possessed is a wonderfully atmospheric proto-giallo based on one of Italy’s most notorious crimes, The Alleghe killings, and adapted from the book on that case by acclaimed literary figure Giovanni … Mario Bava’s “A Bay of Blood” (also called “Twitch of the Death Nerve,” and occasionally “Blood Bath”) features one that encapsulates the genre: an aged woman in a wheelchair slowly rolls through her home, where she’s attacked by an unseen assailant, who is himself murdered as soon as he’s dispatched the old woman. Dickinson’s character, a bored housewife whose work with a therapist (Michael Caine) doesn’t ameliorate her marital dissatisfaction, enjoys an afternoon affair, but runs afoul of a killer.

The extreme close-ups of a parquet floor, knives, and a phono needle on a record precede David Fincher‘s macro work in “Fight Club,” and work in concert with the proggy and occasionally jarringly upbeat score from Goblin to establish this idiosyncratic vision.
In a genre dominated by men working to process and/or reject the rush of social changes in early ’70s Italy, the fantasist director Lucio Fulci often seemed least willing to deal with advances for women and youth culture even as he couldn’t turn away from the allure of new cultural influence.

Interviews with stars Ryo Ishibashi, Eihi Shiina, Renji Ishibashi and Ren Osugi
They’re films about obsessions and sublimated desires, fetishistically detailed with black gloves, lacquered nails, shining knives, and opulent interiors. English subtitles for the deaf and hard of hearing “Deep Red” exists in a few versions, with a longer cut released in Italy as “Profondo Rosso.” The longer version features more comedy, and extra dialogue scenes with the reporter played by Daria Nicolodi, but isn’t essential enough to be worth tracking down for casual viewing. All three wind each other’s springs until the mansion is pressurized to the point of explosion.

Bernard undertakes an investigation and is soon plunged into a disturbing drama of familial secrets, perversion, madness and murder… Co-written by Giulio Questi (Death Laid an Egg, Arcana) and co-directed by Luigi Bazzoni (The Fifth Cord, Footprints on the Moon), The Possessed masterfully combines film noir, mystery and giallo tropes, whilst also drawing on the formal innovations of 1960s art cinema (particularly the films of Michelangelo Antonioni.) Identity Crisis: Joseph H. Lewis at Columbia – The Nitrate Diva (Nora Fiore) provides the background and an analysis of the film Audio commentary on Color Me Blood Red with H.G. Horror Express is one of those films that popped up in crummy transfers on public domain collections back in the Aughties.

Mario Bava made arguably the first giallo film in 1963, “The Girl Who Knew Too Much,” but the specifics of the genre were formalized in 1970 through Dario Argento’s directorial debut “The Bird With the Crystal Plumage.” The subgenre thrived until 1975, after which it gave way to rough-edged “poliziotescchi” police action films in Italy, with a more sporadic output continuing the giallo influence even through today, in films like “Berberian Sound Studio” and “The Strange Color of Your Body’s Tears.” Here are a dozen key gialli out of the many dozens produced in the ’60s, ’70s, and beyond — a perfect starter pack selection for anyone who wants to spend time this Halloween season exploring something a little more off the beaten track. He's worked as local crew on several reality shows including Candid Camera, American's Most Wanted, Extreme Makeover Home Edition and ESPN's Gaters. One string of killings, featuring a group of carefree hippies – the sort of young counterculture kids who are more prevalent in later gialli – is essentially a prototype “Friday the 13th,” nearly a decade before Sean S. Cunningham‘s series premiered (American slasher movies owe a great deal to giallo).

This description of the giallo could fit the hundreds of slasher films but the true giallo—a distinctive Italian brand of horror film that was born in the 1960s and flourished in the 1970s and 1980s—combines a poetic, haunting beauty with Grand Guignol gore and a bent of sexual perversity.

But then hints of stranger and more unsettling activities, delivered throughout the film in flashes of inspired editing, bloom into major-key social repression seen through the lens of arcane ritual. Panicking after the old woman’s expiration, Nora flees into a nearby plaza, is mugged, and passes out.

Her brainy son (Keith Gordon) teams with a plucky prostitute (Nancy Allen) who has seen the killer in action, employing the very tricks of cinema to learn the truth about the killer’s identity. A Hitchcockian tale of mystery and intrigue, So Dark the Night was one of his finest pictures. High Definition Blu-ray (1080p) presentation

Starring horror icons Christopher Lee and Peter Cushing, this tale of terror takes horror fans on a first class trip that’s just as chilling today as it was forty plus years ago. Argento tries on concepts without pushing too hard against established genre confines, making “Plumage” among the more conventional and even audience-friendly gialli, but he caps the story with a late twist and what is essentially a nightmarish coda that shrugs off convention to reveal the first true look at the unpredictable heart of the genre. Black gloved hands reach for the lovely neck of a young maiden. This Article is related to: Features and tagged Brian De Palma, Dario Argento, Feature, Features, Mario Bava.

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