The Boost section offers four different booster types, including Treble boost and a Tube boost. The browser stays in the category that you last chose from, which is as it should be. [QUESTION] Bias FX 2: Standard vs. For those of you who like to tinker with circuitry, change tube types, and otherwise tweak your amp models, a separate purchase of the Bias Desktop application will allow you to tweak your Bias FX models to your heart’s content. Here’s how it sounded: first just the dry piezo sound and next with Bias FX on. But strangely enough, there’s no way to control the pedals on those units, other than manually with the mouse (which is pretty tough to do while you’re playing), because, at least at the moment, Bias FX has no MIDI learn features, and no automation. As long as you're logged in, our website will automatically scan for the license(s) you own, and deduct all the prices accordingly. Yes. What's the price? This guide will explain everything you need to know about the software upgrades. This doesn’t happen with the effects. The user interface for all three versions features a graphically depicted signal path across the top half, in which you can add and remove amps and effects, and move them around in the signal chain order. Here’s an example which starts with the PhD Z amp into a digital reverb with the Tube Boost bypassed, and when it repeats, the Tube Boost is on with the gain at around 2 o’clock. Bias FX Professional has 32 amp models and 52 effects. The Mac/PC edition of Bias FX comes in two versions, which have the same GUI, but different amounts of amps and effects: Bias FX Desktop and Bias FX Professional.

Im Unterschied zur Bias Amp und Bias Pedal Software, bei der jedes Verstärker- oder Pedalmodell nach Userwunsch modifiziert werden kann, haben wir es, wie schon beim Vorgängermodell, mit einer Software zu tun, die … BIAS FX is the world’s first cross-platform guitar effects processor. 6 Kunden . How to use this guide. It offers Bass, Middle, High and Resonate.

I was also quite enamored with the Stereo Reverb, because you can use it to create some very nice stereo guitar sounds. The iOS version is mostly the same, with a few exceptions. They had a more raw quality, whereas the Bias models had a more “finished” tone to them. For a complete list of amp and effects models in both Bias FX Desktop and Bias FX professional, click here.

Like you, I was confused as crap between two at first! The latter lets you delay either side up to 30 ms, allowing you to get greater stereo width, and it works great.

PositiveGrid did an excellent job with these effects. My biggest problem with either version of Bias FX for Mac and PC is the lack of MIDI learn and automation capabilities. On the other side, if you are looking for a professional quality guitar plugin, the clean to low gains and other parts of Bias FX 2 are more than capable but the hi-gain capabilities are limited.

I am after some good verbs/delays and thought the ID of being able to model some boost pedals was kind of cool. They also have their Bias amp basic addition for \\\ I think. Overall, it’s a very nice selection, giving you just about every type of delay sound imaginable. These include Input and Output level knobs, which are important on an amp modeling plug-in to avoid clipping and to maintain good gain staging.

I prefer real amps to software amps so I will mainly be playing this for effects. Dual configurations use a splitter to divide your signal to two separate paths, featuring whatever amps and effects you want.

I was disappointed in the lack of change in the sound when moving Bias FX’s virtual mic back and forth from the cabinet. It works very efficiently.

I also really liked Insane 5153 for its high-gain sound. It shows you all the same components you had in the other view, but on a virtual pedalboard.

The competition in the amp-and-effects modeling market is fierce, and there is no shortage of excellent products. BIAS FX standard vs the "Pro" Guitars, Gear, Tone! This guide will explain everything you need to know about the software upgrades. You only need to pay the price difference between the higher license tier and your current one. The amp defaults to the “Head” view, which features parameters Gain, Bass, Middle, Treble, Presence, and Master controls. In this case, it has a Threshold knob, which the real 1176 doesn’t have. Here’s an example that uses a slightly tweaked version of the Folk 3 preset, which features one of the acoustic amp simulations. Not signed in. Contrast this with Native Instrument Guitar Rig, which, when using its Control Room module allows for seven different simultaneous mic types, although you can’t individually position them.

According to a Positive Grid spokesperson, the company has such features “in development,” but they couldn't specify a timeframe for when they’ll be added.

To check if the prices you see is already discounted (based on the licenses you currently own), feel free to log out of our website and go back to the store section to see the original price. As of now they’re not implemented with the Mac/PC versions of Bias FX, although according to Positive Grid, they’re due to be added as of the week of July 17. To me, these features are pretty important, and should not have been left out of the initial release. It’s divided into eight different categories, each with multiple effects choices. Overview; Features; Specs; BIAS AMP2 Standard BIAS AMP2 Professional BIAS AMP2 Elite; FEATURED. The two signals are then combined before the output in a Mixer module that offers Level, Pan, and Delay. Bias FX 2 comes in three versions and the Elite pack is the most expensive and the most comprehensive among the three. All Rights Reserved. I wish PositiveGrid could have balanced the stock settings of the amp models to achieve better parity in volume when switching between them. For the amps, you get a front or top view, depending on where the controls are on the modeled amp. There, by simply clicking a tab, the amp model you have open in Bias FX opens in Bias Amp for your tweaking pleasure.

Rounding out the effects is the reverb section, and again, you get a lot of variety. One other annoyance was that every time you switch models, the plug-in resets the amp browser back to the Low Gain category. Effects are either stompbox or rack-processor emulations.

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