Patel are executive producers. Now, IFC Midnight has acquired the North American rights to the psychological thriller which will be released January 2021. Actor Shahab Hosseini, director Kourosh Ahari and producer Alex Bretow have formed the company Pol Media.

The country’s guidelines also require films to obtain a permit on a script before going into production. “We feel elated that we have found such a caring and supportive partner, IFC Midnight, to be the champions for this Iranian story,” said Ahari.

This is a historic benchmark for the … EXCLUSIVE: Kourosh Ahari’s The Night made history as the first U.S.-produced film to receive a license for a theatrical release in Iran. EXCLUSIVE: Kourosh Ahari’s The Night made history as the first U.S.-produced film to receive a license for a theatrical release in Iran. The Night also stars George Maguire, Michael Graham,  Elester Latham, Armin Mehr, Golbarg Khavari, Ali Kousheshi, Lily V.K., Gia Mora and Amir Ali Hosseini, Shahab Hosseini’s son. The film is produced by Alex Bretow for Mammoth Pictures, Ahari for Mammoth Pictures, Jeffrey Allard (the 2003 and 2006 versions of The Texas Chainsaw Massacre) for Indie Entertainment, Cheryl Staurulakis (The Night Watchmen) for Orama Filmworks, Armin Amiri for Supernova8 Films and Mohammad Dormanesh. We want to hear from you! It was a trailblazing feminist fable with a surreal twinge of horror, and it fits perfectly with climate of the …

Kourosh Ahari’s Thriller ‘The Night’ Becomes First U.S.-Produced Film To Receive License For Theatrical Release In Iran 14 July 2020 | Deadline Shahab Hosseini, Kourosh Ahari and Alex Bretow Team for New Production Company (Exclusive) Now, IFC … One of his earlier projects, The Yellow Wallpaper, is based on an 1892 short story by Charlotte Perkins Gilman.

Patel executive produce. EXCLUSIVE: Kourosh Ahari’s The Night made history as the first U.S.-produced film to receive a license for a theatrical release in Iran. “The Night on the surface is a thrilling psychological horror pivoting around an Iranian couple, but beneath it explores a common, yet very complex human condition intending to provoke the minds of audiences leaving theaters.”, He continued, “The Night is meant to be seen in theaters and we are excited that IFC Midnight has made that happen despite the current COVID climate. It is a unique, deeply captivating thriller… That will have you on the edge of your seat! Scott Derrickson To Direct ‘Black Phone’ For Blumhouse & Universal, Kenya Barris In Talks With ViacomCBS To Partner In New Studio, Eyes Exit From Netflix Deal, Focus Features Celebrates Halloween With Horror ‘Come Play’, ‘The Donut King’ And ‘The True Adventures Of Wolf Boy’ Debut – Specialty Preview, Netflix Partners With Brooklyn Museum For ‘The Queen and The Crown: A Virtual Costume Exhibition’, Whoopi Goldberg Talks The Election, Black Identity And ‘RuPaul’s Drag Race’ – Vulture Festival, Clive Barker Joins HBO’s ‘Hellraiser’ Series Adaptation With David Gordon Green Directing Early Episodes, Showbiz Activists Make Final Push In Remaining Days Of Election; Joe Biden Again Slams Netflix & Amazon Over Taxes, Twitter & Other Big Tech Stocks Drag Market Down As Shares Close Out Worst Week Since March, Eli Roth: The Film That Lit My Fuse, Halloween Edition.

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Send us a tip using our annonymous form. This is a historic benchmark for the country’s filmmaking community as it is the first U.S.-produced film to receive a license for theatrical release in Iran since the revolution. Iran’s strict guidelines about what can be released theatrically in the country and its impact on artistic expression has received backlash from Iranian filmmakers including Mohammad Rasoulof (There Is No Evil), Asghar Farhadi (A Separation) as well as Rakhshan Bani Etemad.

!\"The Jan Price Show All About Movies\" #streaming, live worldwide on iHeartRadio. View Kourosh Ahari’s profile on LinkedIn, the world's largest professional community. In addition to breaking barriers as the first U.S.-produced film to receive a license for theatrical release in Iran, the film employed a diverse cast and crew made up of predominantly Iranian immigrants who are legal citizens/green card holders, or US-born Iranian-Americans.

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