While not the inventor of surreal noir, David Lynch is surely the current king of that subgenre, giving us plenty of movies inspired by old crime films and the subconscious mind. A brilliant ensemble cast of noir regulars but special kudos to Timothy Carey as a crazed sniper and a gloriously sluttish Marie Windsor whose actions are the catalyst for the disastrous chain of events. And Ben Affleck proved here that he’s the best guy to adapt Lehane’s private detective series into a movie. As ever, Welles lost control of the final cut of the movie and wrote an impassioned 58-page memo to the head of Universal Studios but to no avail – until finally in 1998 a restored version close to his original vision appeared.

A list of the best film noir movies. Sunset Boulevard (Billy Wilder, 1950)Some movie scholars don’t think of this as noir, more black comedy meets gothic melodrama, but consider the following. Nolan, so much of a noir lover that he has two movies on this list, outdid Tim Burton with a more gritty and grounded Gotham. Bogart’s Sam Spade became the model for the cynical yet romantic tough guy antihero that would populate noir for years to come. 17. Arguments over what films should be called horror films or suspense thrillers are commonplace as are disputes over what films should fall into the category of film noir. The Maltese Falcon (John Huston, 1941)From the Dashiell Hammett novel, Huston’s first movie as director is the grandaddy of noir thanks to a sparkling cast, moody lighting and brilliant screenplay and direction. But, at the very start, film noir meant a particular cycle of cynical American thrillers beginning around 1941 and continuing until about 1959.

Today, Film Noir is easily one of the most resilient genres to survive the Hays Code, with films that still stand up to today's modern films. Claustrophobic, shadow filled cinematography, a torture scene involving a hearing aid and some infamously overt sexual imagery have helped make The Big Combo a cult item that flaunted the Hollywood production code. 3. A payroll heist goes wrong as Lancaster is drawn into a web of intrigue by his ex-wife Yvonne De Carlo and zoot suited gangster Slim Dundee, played by the great Dan Duryea.

In between bursts of bloody violence, this critically-acclaimed film finds plenty of meditative character beats to make Drive one of the best slow-burn entries in the genre. It's really a very good film, and perhaps the most glaring omission on your list. Memorable then as now for the shocking scene when sadistic thug Lee Marvin throws boiling coffee over his moll, Gloria Grahame.

27-year-old Kubrick produced his first masterwork, which served as the prototype for Reservoir Dogs, about a racetrack heist that goes wrong and the aftermath. Edward G Robinson is also memorable as MacMurray’s boss whose “little man” inside him tells him something’s not quite right about the case. Lists about that dark, stylish, dramatic, hard-to-define but know-it-when-you-see-it genre that boomed in the 1940s and '50s and still influences moody films and TV series of today. One of the joys of classic era noir was watching he-men like Robert Mitchum and Lancaster cast as the prize chump manipulated by femmes fatales as in this, possibly the most underrated film noir of all. Please continue to respect all commenters and create constructive debates.

Welles’s last great film is chock-full of overlapping dialogue, unsettling close ups and dizzying camera angles, and is especially memorable for the three-minute opening sequence tracking a bomb-laden car and the eventual explosion. Murder My Sweet (Edward Dmytryk, 1944)Song and dance man Dick Powell as Philip Marlowe forged a whole new tough guy career for himself in this version of Raymond Chandler’s Farewell My Lovely, with Mike Mazurki in the role he was born to play: slow-witted ex-con Moose Malloy. Tellingly, many of these craftsmen were of European extraction and brought their expressionist influences with them, in turn influencing generations of filmmakers right up to the present day. Nightmare Alley (Edmund Goulding, 1947)Once described as the greatest movie not made by arch cynic Billy Wilder, Tyrone Power gives his finest performance as the fairground hustler who works his way into society by fair means and foul, including murder. There’s a flashback theme and handsomely baroque production values. Duplicitous dames, hard-boiled dialogue, flashback sequences and world-weary voiceover from the laconic Mitchum all find their apotheosis in a movie that defines film noir.

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