There’s even tape style saturation to add extra warmth, grit, and overdrive to your sound. While the knobs cover the basic functionality needed for general use, pressing and holding the 2 foot-switches lets the knob adjust other hidden parameters. Good write up. If you ask guitarists what some of the very first "effects" were, many may point to this stompbox or that, or even to early rack mount effects, but actually some of the very first effects were actually generated using multi-head reel to reel studio tape decks. You can sweep through the range of flanging and chorus sounds up to the slapback and longer tape echoes. J.Rockett Audio Designs Archer Review – Best “Klon Centaur/KTR” Pedal? But there are some sounds that don't really benefit from it. Looking forward to dig into this if I would get it some day! Ultra-realistic tape-style effects. On the left are the Deco’s primary parameter controls. Maybe Strymon should release a Deco Deluxe with MIDI, repeat delays and some favourites added as per your review as that would make it the ultimate pedal for tape effects. The expression pedal can be assigned to control any of the Deco's knobs, and the optional Favorite switch allows you to save and recall a single preset, regardless of how the knobs are set. Bath While you can use a tap foot-switch for setting Lag Time or a Strymon Favorite Switch for recalling a single preset, plugging in an expression pedal adds the most interactive fun to the Deco. Please refresh the page and try again. (And if it’s not, you can always trim some lows.) Thanks for reading. Awesome review of an amazing Pedal – it’s my favourite pedal and has been since I bought it earlier this year and I try to tell everyone I know into guitar about how good this thing is! All things considered, a reel-to-reel deck is an impractical option for most guitarists. If you’re the type of musician that likes to experiment in the studio, there’s nothing to stop you using the Deco to process drums, bass, vocals, and, of course, guitars.” As always, we loving nothing more than inspiring creativity in our fans and customers. It can handle line level signals of up to +8dBu, and a user-selectable "studio mode" adjusts the Saturation knob's range to better suit hotter line level signals. Your email address will not be published. Clearly, much thought went into the layout. Lag Time sets the delay offset between the "lag" deck and reference deck, allowing for a range of simulated doubletracking type effects. It perfectly executes its sonic vision and provides a wealth of great sounding tape inspired effects in a single compact pedal. The input and output jacks are located at the top of the pedal, and so is the 2.1mm center-negative 9V power jack. If you are running 2 amps, put the Deco in the effects loops of both and get ready for some fun tape echo excursions. Since Deco accepts input levels as high as +8 dB, you can also use it as a line-level studio effect. You also get separate left and right output jacks. They may be able to do some of what it can do, but there aren't many pedals on the market today - at any price point - that sound this convincing on hard to replicate tape-based effects like true through-zero flanging and ADT simulation.
Soon sound designers were mimicking these qualities in digital effects via filters and LFOs. On the inside the stacked PCB’s are orderly with components carefully laid out, the Analog Devices SHARC processor being primarily responsible for computing and conjuring the Deco’s tape-inspired magic. While it can be used with line level signals, hotter line level signals can drive the Deco into distortion, even in Studio mode. Guitar World is part of Future plc, an international media group and leading digital publisher. PERFORMANCE Strymon’s success in making the Deco sound truly analog is nothing short of extraordinary.
Setting the dial below that point actually makes the Lag deck's signal precede the Reference deck, which is a key requirement for accurately nailing tape-based effects like ADT (automatic double tracking - made famous by The Beatles) and true through-zero flanging. It’s not one of those metronomic LFOs that produce monotonous seasick swaying, but a nuanced and convincingly random-sounding modulator that feels musical even at extreme settings. At about two o’clock and further, you can get classic slapback delay for rockabilly and gorgeous tape echo that sounds phenomenal for soloing, especially when you add a touch of modulation with the wobble knob. The Tape, the Whole Tape, and Nothing But the Tape The Strymon Deco provides two separately-activable effect lines. The Blend knob gives you up to 3dB of Boost/Cut.
The sum of your entire guitar signal would be recorded to tape during audio tracking. This virtual tape deck is controlled by the Lag Time and Wobble knobs, as well as a three-position toggle switch. While I’d like to have seen MIDI functionality, multiple selectable presets, and a Repeats control for more tape echoes, this pedal was a risky release that still greatly exceeds expectations in its current form. Agggg. In another neat and thoughtful touch Strymon programmed the pedal so that when you press and hold the Doubletracker Bypass footswitch, it engages an auto-flange feature that gives whatever is playing through the pedal that classic "jet plane" / through-zero flange sound. The input is very cleverly done on this pedal. That concludes our Strymon Deco review. This ain’t it—Deco’s repertoire is limited to the tape-based effects you might have obtained in a late-1950s recording studio: simple flanging and chorusing and short, non-regenerating echoes. The rotation of the lag time knob determines the type of effect. Free ground shipping on domestic orders over $49. For example, there are no feedback controls. The Deco first appeared in 2014, and for the most part, we were all a little confused about what it actually was. The "zero" or point where the delay times of the two decks match is marked at about the 9 o'clock position. Using two decks in various ways was the secret to most of the earliest and well-loved effects heard on records in the 1950s and 1960s. The Wobble knob controls the amount of random speed modulation that is applied to the lag deck. I wouldn't worry to much about where to put it. If you keep Wobble at minimum while dialing in the Lag Time at lower values, you can create interesting filtered tones. Time-based effects ranging from flanger to delay to doubler, chorus and slapback. Considerations might have been made against this idea in favor of maintaining a familiar and less complex knob layout and/or to keep with simple reel-to-reel tape deck performance options.
On the right are the sub-parameters accessed by pressing and holding both bypass switches while turning the appropriate knob. Let’s talk features and get the tape rolling. Deco is designed to simulate classic tape-based effects such as chorusing, doubling, flanging, slapback delay and echo, and it can also simultaneously provide tape saturation effects too. The pedal has 2 outputs for running it to the front of 2 amps, but if you open the pedal and set the jumper to stereo input, you can use a TRS cable for true stereo I/O operation and more flexible positioning in a stereo effects chain. It’s hard to describe, but there isn’t a bad sound in it. As you advance the knob, the delay lengthens to several dozen milliseconds for thickly chorused sounds, and finally blossoms into audible echoes in the final third of its range.
I used to put mine at the end of the chain, as if recording into an actual tape unit. Minds were blown when the first digital delays appeared in the late 1970s. Of course, adding this extended tape echo versatility to the Deco might also have cannibalized sales of Strymon’s excellent El Capistan, and the company has shown reluctance to implement features in one pedal that could render another obsolete (Ex: El Capistan vs TimeLine’s similar, yet simpler dTape machine & Lex vs Mobius’ stripped down Rotary machine). Very versatile, can go from pretty to nasty and it all sounds musical and good. Deco’s pseudo-tape saturation is remarkable. Future Publishing Limited Quay House, The Ambury, While some pedals try to simulate tape echo or double-tracking effects, the Deco covers a huge range of tape style flanging, chorus, slapback echo, and longer tape echo delay up to 500ms. I do agree on the midi stuff though , Your email address will not be published. Thus, the Deco is usually best suited at or near the end of your entire signal chain. Want to use Deco with your DAW and studio recordings? I also am wanting to try this pedal very much now! At the heart of the Deco is a high-performance Sharc DSP that provides incredibly powerful 32-bit floating-point processing, which convincingly captures the authentic tape compression and tape drive of a vintage reel-to-reel deck along with organic-sounding echoes, chorusing, doubling and through-zero flanging effects that can be created with two tape decks. Tape Saturation handles the tone shaping with knobs for volume and saturation (tape drive). If you want to get involved, click one of these buttons! Pushing it further past noon, the sound starts to clip into overdrive, giving it a gentle roar that’s less crunchy but distinctively smooth and transparent.
Messages: 3,528. Come on, Strymon, release the flagship all-in-one multi-effects pedal already. It’s worth noting that in most cases, if you’re chasing authentic vintage inspired tape effects, you’ll probably want to use the Tape Saturation and the Doubletracker together. Also, the cool comb filtering effects you can achieve with low Lag Times and no Wobble are mainly heard in regular stereo mode or mono. A 3-position toggle lets you phase-invert the second deck—a subtle variation that may affect your low-end response, depending on the material. Didn’t we use it for reamping Vocals and guitars too? The second control is labeled Volume, and it sets the level for the saturated signal. We’re excited that Music Radar has been dialing in the perfect slapback and flange settings, and we love that they’re not stopping there: “Although it takes the emulation of old sounds as its starting point, the Deco offers a huge amount of range for the creatively minded player seeking inspiration – we’ve barely scratched the surface.” We really appreciate the enthusiasm — for us, there’s nothing more rewarding than being able to inspire creativity. Yup +1. (Hence the Deco name). In all, the DECO claims to give you all the character of vintage tape sounds in a digital emulation. The two can be used completely independently; the Doubletracker doesn't have to be active in order to use the Saturation. The lag time knob creates a full range of double-tracking tape effects like flange, chorus, slapback and echo. For all the various Doubletracker effects the Wobble knob is used to bring in a subtle to more intense modulation of tape speed to create movement.
As always.. Strymon has seeked for interesting concept and compact pedals. The doubling and echo capabilities are excellent, but will not be a suitable substitute for a dedicated delay pedal for most players.
Even with lower Saturation settings the warm blanket of tape tone imparted on the Doubletracker’s effects is simply gorgeous. Strymon Deco vs. Keeley 30ms? Privacy Policy | There’s no battery compartment—like all processor-intensive digital stompboxes, Deco requires an AC adapter (included). I suspect many players will dial in a subtle saturation setting and leave it on all night. The whole package is a work of precision engineering in pedal form. saturation, slapback delay and doubling plus modulation effects including flanging and chorus.
In other words, Deco does only a few things.
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