2000). Why?

Dan summed up that, “With the dipswitches on the back you can select which nob you want to assign to the expression pedal.” As a result, you can manipulate the gain structure to roll on or off into different sounds, such as a drive that eases off as a fuzz presses in. If one of the main headlines out of winter NAMM 2017 was tandem overdrive pedals, then the Strymon Sunset and Chase Bliss Audio Brothers were front-page news. On the Brothers, both sides have the options of boost, drive, and fuzz, with variations on their sound due to JFET and IC inputs. For good measure, Dan & Mick compared the Sunset and Brothers to another recent release from Strymon, the full-featured, multistage overdrive that is the Riverside. For pedals that’d be a MXR Micro Amp, Tube Screamer, a Boss or two.

If Strymon ever does decide to give Sunset the BigSky treatment and create a stereo-capable version with MIDI control, it will be an absolute monster. Age: 73 26,337. After a taking a run at the Brothers with stacked fuzzes using Dan’s 63 Telecaster, the official verdict is given. For starters, each pedal is essentially a two-in-one. The Riverside and Brothers allow for stacking in either direction (“a” into “b,” or “b” into “a”). 2008); Dan: 1963 Closet Classic Fender Telecaster (ca. Save and recall presets in bypass state so you can punch in the perfect drive setting when it’s time for your solo. Then last year Strymon released the Riverside, a multistage drive pedal.

However, even with the limitations that the Sunset carries, the results easily justify the price of admission. ), Dan & Mick were both star-struck with the Strymon.

For starters, these companies have a history of innovation and never disappoint in delivering top-of-the-line yet accessible effects. But if you don’t like that and actually what you want is just a blend, the parallel is really cool.”, Dan & Mick also showcased how the Brothers was a robust stackable drive in both directions and in parallel. The coolest this is, you can have ‘a’ going into ‘b,’ or you can have ‘b’ going into ‘a,’ or you can have ‘a’ and ‘b’ and mix them in parallel.” The level control makes it possible to blend either side of the overdrive to the desirable amount, from barely there, to a nudge of boost, to full parallel. A final noteworthy feature of this pair of pedals is the way certain parameters can be controlled using an external expression pedal. Connect our MIDI EXP Cable to the Expression pedal jack to access these features. Finding Your Ideal 15-Watt Amp: Blues Junior, Bassbreaker, or AC15? “It’s all there,” remarked Dan. Side “a” includes modelled sounds entitled Germanium, Texas, and treble, and side “b” is switchable between 2-stage, hard, and JFET overdrives. “With the Sunset, for example, you can have all of the controls set to one stage for the heel down position and then all the controls set differently for the toe down position.” For fans of Chase Bliss pedals, it will perhaps come as no surprise that on the Brothers the expression pedal is linked to the magic of dipswitches. Cascading mu… Fender®, Squier®, Stratocaster®, Telecaster®, Precision Bass®, Jazz Bass® and the distinctive headstock designs commonly found on the Strat®, Tele® and P Bass® guitars are registered trademarks of Fender Musical Instruments Corporation.

Pedals: Strymon Sunset; Strymon Riverside; Chase Bliss Audio Brothers; Chase Bliss Audio Faves; Source Audio Expression Pedal. For example, on the Riverside each side of the pedal comes with three overdrive types. Also don’t forget to subscribe to TPS to keep up with latest episodes, including regular mid-week shorts such as A-B demos or highlights of Dan & Mick’s gear (https://www.youtube.com/channel/UCnUXq8mGmoHt0e6ItuTs10w). The series of stackable drives in the Brothers was equally inspiring, particularly for the fuzz-aholics in the room. After running though a few combos (e.g., Texas into JFET, treble into boost, etc. First off, after toying with the directional stacks on the Riverside Dan described, “That’s not even the coolest thing. https://www.youtube.com/channel/UCnUXq8mGmoHt0e6ItuTs10w. If the myriad of stackable options weren’t enough, these pedals had another surprise in store. The concept is simple and the sound can be incredible: stacking one gain source into another can accentuate the best of both and result in a drop-kick of overdrive that is more than the sum of its parts. Dan: “It’s so good, it’s so, so good.” Mick: “It’s really, really, really good.” To add further evidence to the case, after blending the Brothers’ JFET Fuzz into its IC Drive, Dan added “I love, love, love that pedal.”. It’s a great feeling when you discover the perfect pairing of a special overdrive pedal that pushes the natural gain of a favorite tube amp or a set of overdrive pedals that were simply made for one other. The Sunset emulates analog solid state drive pedals. Strymon Riverside vs Strymon Sunset Back in October of last year Strymon announced Riverside, an overdrive pedal that combined Strymon’s trademark DSP wizardry with an analogue front end. Since each pedal is loaded with three sounds per side, this also means that there are a ton of potential configurations depending on how each side is set up and where it is positioned in the stack. You can save and load Sunset/Riverside drive presets and control all knobs and switches via MIDI. The Riverside emulates tube amps. For good measure, Dan & Mick compared the Sunset and Brothers to another recent release from Strymon, the full-featured, multistage overdrive that is the Riverside. For an in-depth look at the Strymon Riverside digital overdrive, be sure to check out Dan & Mick’s test-drive of it from a few months back (https://youtu.be/kp9UJg1EqgQ). 2000); Paul Reed Smith DGT (ca. Where both pedals excelled most is when the drives are pushed into one another, or stacked. I don’t know the exact sounds they’re striving to copy, but my guess would be popular options from both camps. Strymon Sunset, Riverside, and Chase Bliss Audio Brothers: Stackable Overdrives, NAMM O’Clock News: Highlights from Dan & Mick’s Coverage in Anaheim, Tour de Treble Booster: Tips and Picks for Boosting Your Top End, Kirk Fletcher: A New Pedalboard Build and the Future of Blues. Guitars: Mick: 1962 American Vintage Fender Stratocaster (ca. Their internal infrastructure is two separate and carefully crafted overdrive channels, which were designed to stack atop each other in multiple configurations and directions. As Mick noted, “One thing I like about both of these companies is that they very much do their own thing.” Likewise, Dan shared his anticipation of Strymon and Chase Bliss product announcements, “Every time they release something, I get a little bit excited…a lot excited, to be fair.” So what’s so special about these new releases in the endless universe of overdrive pedals?

It is said to have been inspired by the numerous vacuum tube and analogue distortion units that have historically shaped the overdriven guitar sound. Dan outlined this functionality for the Sunset. New Strymon "Sunset" vs "Riverside" Discussion in 'Pedal Pushers Forum' started by audept, Mar 8, 2017. audept Senior Gretsch-Talker. And if, by chance (or certainty), you found a favorite setting on the Brothers and didn’t want to lose it, the Chase Bliss Faves pedal bank grants immediate access to nine saved settings, with more thanks to midi. Check out the video below to see some examples of Sunset and Riverside MIDI control in action. The most apparent asset of this design is the ability to dial in two separate sounds, each with their own characteristics. For all things Strymon and Chase Bliss Audio, be sure to stroll the isles over at Riff City. Sunsetfeatures six different classic topologies to cover a wide range of boost and overdrive pedal styles. Many classic pedal gain circuits are a single-stage gain topology, meaning the gain is achieved in one section in the signal path.

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