Gillian Hills’s short, mercurial career and the fact that it was divided between two countries and languages mean that that she is almost forgotten today. But in Britain the film roles were small. As for her role as Jennifer, she saw it as a protest at her treatment by her Lycee in Paris, who expelled her for taking on a debut role in Vadim’s ‘Les Liaisons Dangereux ‘. We had a wonderful conversation about Jung and Freud, though I had a suspicion I knew more about them than he did.

She so wants to express herself but when you’re young you don’t know how to do things like that, so she’s constantly pushing all the wrong buttons. Her best early song, the recording that she is most proud of (it plays over her website) http://www.gillianhills.com is ‘Zou bisou bisou’ (1961). at 50: rare behind-the-scenes photos, Behind the scenes with the Beatles and Richard Lester, Creative destruction: Better Books, Cinema 65 and the birth of the London film underground, David Farrar Was taking a fairly scandalous role in Blowup – with Jane Birkin, the rolls of purple paper and no clothes – a way of saying goodbye to all the fluffy French pop you’d been doing? Again, I felt very close to the role of Allison, because I’d lived such a cooped-up life with my mother. Gillian Hills was the first female singer in Europe to record pop and rock as we know it today. In the opening scenes of the film she is a pouting, free-spirited presence as she descends the stairs to the basement dance floor, where, seemingly oblivious to everything and everyone around her, she begins a freestyle dance routine. What channel is Sheffield United v Man City on? I don’t think I’ve ever had a conversation which started out with Beat Girl and ended up at The White Hotel…. Your email address will not be published. Audiences at London’s Regent Street Cinema were recently treated to a special appearance by the lady herself, whose sharp-witted insights and still-elegant frame utterly belied her 71 years. Jessica Paré’s rather famous interpretation is here and her recorded track is here. Jots. And the decade you spent as an illustrator was by no means negligible, since you did the covers for a lot of high-profile best-sellers including Peter Benchley’s The Deep and Virginia Andrews’ Flowers in the Attic…. And on dark days like this, it’s always a pleasure to hear and watch the bubbly blonde, innit. She had parts in TV series and other films but was never well-known in Britain and retired in 1975. For someone brought up with the Beatles, it’s difficult to understand the attraction for teenagers of what came immediately before the Fab Four transformed pop music for ever. The BFI Interview. Beat Girl is out now on DVD/Blu-ray dual-disc edition from BFI Flipside. It was the way I approached all my parts. I was there for about two weeks.

She probably lost out by not being in Daniel Filipacci’s ‘Salut les Copains’ stable of artists. Check out our picks for family friendly movies movies that transcend all ages. An Interview with Gillian Hills . But that’s what happens in film: you eliminate what’s not essential.

Hills with David Hemmings and Jane Birkin in Blowup (1966). Gillian Hills is his female equivalent. 'When found, make a note of.' Gillian Hills was the first female singer in Europe to record pop and rock as we know it today. In 1975 Hills decided to stop making films and left for New York City to try her luck as a book and magazine illustrator. At 72, Hills now lives in England with her husband Stewart Young, manager of AC/DC and Cyndi Lauper, among other artistes. We were all sitting outside and these girls were coming out absolutely traumatised. In those days, you had to have a special card from RADA before you could even act in films. Sylvie was very similar to Gillian – blonde and good at the twist – but she followed the new American casual dress adopted by Jean Seberg in ‘A bout de souffle’ (cropped hair and slacks), not that of Bardot.

For that moment alone, Hills would warrant her own eternal niche in British B-movie legend, but BFI Flipside’s welcome release of Beat Girl in a spanking restored dual-disc edition has once more thrown the spotlight on a performer whose remarkable (and still unfolding!)

And perhaps ‘Tomorrow is another day’ deserves a new interpretation. Gillian Hills was the first girl pop singer in Europe.

View production, box office, & company info Our Favorite Emmy Photos of All Time.

Thomas, because I was doing The White Hotel. Her website Gillianhills.com under ‘Music’ has links to her best songs, with her recollections of Eddie Barclay, Daniel Filipacci and Johnny Hallyday.

She was a brunette in the cultish ‘Blow Up ‘(1966) and in ‘A Clockwork Orange’ she had a cameo. He said I was a good actress, which really touched me, because he was a very respected director. On her website ( which is worth a visit ) Hills describes the dance thus: ‘ my brain flipped, my feet followed and I was off’.

In 1961, Filipacci found a new, French, star, Sylvie Vartan, whose rise to fame is described on this blog on her 70th birthday in August 2014.

As a stream of eager youths pours down a staircase from a Soho milk bar into the club below, the attention’s firmly on wild-child Gillian Hills as she’s transfixed by the call of John Barry’s riff-tastic title number, a feral glare straight down the camera before she joins the frugging throng and dances to her own tune. Gillian Hills was born on June 5, 1944 in Cairo, Egypt. And then in Autumn 1962 Françoise Hardy entered the scene, with both a music that brought together chanson and Anglophone influences, and a whole new look. See more of Gillian Hills on Facebook. I used to dread getting these texts I had to sing.

She sought to enter the British pop scene. It takes so long to say anything, and somehow it just doesn’t have the right sound. I’m sure we shot another scene with the snake.

It’s very strange when you go to an audition and suddenly you’re asked to strip down to your underwear, like I did for Juan Bosch… and also at the casting session for A Clockwork Orange. Check out some of the IMDb editors' favorites movies and shows to round out your Watchlist. Gillian Hills, Actress: A Clockwork Orange. If you compare Parés version with the one by Hills (or Sophia Loren), the Europeans win by a landslide when it comes to sultryness, by the way. I remember, years later, after I’d moved to New York to become an illustrator, I bumped into Anthony Page at the Whitney. Then on the day of the shoot I was so nervous I had my first taste of wine. However, it was already dominated by well-known stars – Helen Shapiro, Cilla Black, Dusty Springfield and others left little room. The film was withdrawn for many years by Kubrick because of criticism of its violence. It’s why I started writing my own songs – and why Serge Gainsbourg is such a hero in France, because he was the one to write real pop songs, to loosen it all up. Facts, Data,Trivia, Ephemera, Knowledge from any source - Letters, Diaries, Manuscripts, Journals, Notebooks, Recipes, Anecdotes, Reports, Art, Files, Snapshots, Documents, Formulas, Catalogues, Press cuttings, Memoirs, Trouvailles, Tales, Travel Diaries, Eyewitness accounts ('I was there'), 'I once met...', Quotations,Earwitnesses, Found Objects & Total Trivia. Gillian did well for a bit longer: see her duet with Serge Gainsbourg in 1963, ‘Une petite tasse d’anxiété’. She turned for a professional career to using her artistic skills as a book illustrator. You know, I went viral after Jessica Paré sang my old French hit Zou Bisou Bisou at Don Draper’s birthday party. View production, box office, & company info Our Favorite Emmy Photos of All Time. ‘I could vent my frustration, my disgust, the helplessness and despair, and the anger at what had happened to my life in the recent months.’. She is the only Briton who worked with them all, so these are unique. Norfolk, Cornwall, Isle of Skye, Belfast, Walk and Discover tours. And I think that explains why the actors in British films were often older than the young people’s parts they were supposed to be playing.

You can unsubscribe at any time. Her father was Denis Hills, a British adventurer and soldier with a dramatic life, as his 2004 obituary shows. I didn’t have that; the producers got one for me. Jessica’s version is available on vinyl, by the way. His keyboard player Peter Vettese had become so intrigued by that song that he asked if I would consider doing something again, so I went to the Caymans, stared at the sea and started writing again, thinking back to those years from 11 to 19. Registered charity 287780.

Moreover, the circumstances which brought her at the tender age of 15 to the role in Beat Girl – involving the breakdown of her parents’ marriage when her adventurer father Denis Hills left her Polish actress mother Dunia Lesmian, a wandering existence which took mother and daughter to France and her discovery by Roger Vadim, who cast her in his 1959 version of Les Liaisons Dangereuses – all suggest enough drama to make a movie on its own. Please send items of interest. The Digital Edition and Archive quick link.

She is an actress, known for, Musical Moments on TV: “Zou Bisou Bisou” on Mad Men, Blu-ray Review – Demons of the Mind (1972), Review: Antonioni's "Blowup" (1966) Starring Vanessa Redgrave And David Hemmings; Criterion Blu-ray Special Edition, Il mio nome è Scopone e faccio sempre cappotto, De Serge Gainsbourg à Gainsbarre de 1958 - 1991, George Harrison: Living in the Material World, An Examination of Kubrick's A Clockwork Orange. See also Gillian Hills’ personal website: gillianhills.com. By entering your details, you are agreeing to Radio Times privacy policy. In 1958 she was attending a lycée in Nice, as the only ‘anglaise’. An excellent example is ‘Qui aurait dit ça’, on TV in April 1962. From Beat Girl to Mad Men: the life of Gillian Hills | Sight & Sound If there’s one scene in late-1950s British cinema which tells you the new teen tribes were thriving in the capital, it’s the opening sequence from Edmond T. Gréville’s sleazy Soho exposé Beat Girl.

Everything in that part was incredibly real to me.

Yet the songs and film clips offered here show that she deserves a place in British and French social history of the late Fifties and Sixties. Actually, the parts really should have been played by much younger children, but that’s what makes the whole thing so unbelievably odd. I saw the film again just recently for the first time since I was 16, and it was actually quite upsetting. Hand-picked. Gillian Hills–Beat Girl. You had further roles afterwards in A Clockwork Orange, obviously, but also Hammer’s Demons of the Mind, and a Spanish horror film The Killer Wore Gloves, all of which required a certain amount of nudity. An Interview with Gillian Hills . She auditioned for and was picked by Roger Vadim for the role of Cecile de Volanges in a modern-day version of ‘Les Liaisons Dangereuses’. It’s almost another Turn of the Screw. She never attended school again, and in 1959 she was cast as the teenage lead in the first British rock-and-roll film, ‘Beat Girl’ alongside Adam Faith, then 18. They escaped from Poland to the Middle East.

Thanks! For even more, visit our Family Entertainment Guide. What comes through is all that emotion, the truth that’s underneath the words she’s saying. Stanley was very serious, and his crew absolutely revered him. Trevor Johnston Updated: 11 July 2016. Log in here to your digital edition and archive subscription, take a look at the packages on offer and buy a subscription. We were bouncing around on the bed, and Malcolm McDowell was so funny, we laughed so much. Gillian Hills – Zou bisou bisou (clip). For all the film’s slightly disreputable status, your performance in Beat Girl provides us with pretty much the first believable teenager on British screens.

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