For more informations about the Torpedo Captor X, you can go to two-notes.com/torpedo-captorx. Thank you from everyone at Two notes. Torpedo Wall of Sound is a plug-in software you can embed in your recording program. That problem is now solved, thanks to theReload’s unique…. The most difficult part in re-amplification techniques is finding the output level on the DAW that matches the level of your guitar when it is directly connected to the amplifier. 6-band parametric equalizer with three modes (guitar, bass and parametric). A Reactive load simulates the complex impedance of a real speaker. Later on, you can re-send that signal to your amplifier by using re-amping techniques with the Reload‘s REPLAYTM function. Contact and support: http://support.two-notes.com

Speaker Thru: 1/4″ Jack unbalanced (TS) – Directly connected to Speaker Input.

It's often best to keep it in the GND position, but in some situations, lifting the ground could help prevent interferences.

Having the option to mix them both, it's great. No other compact reactive load box offers such universal control of the miking chain and with dual miking per cabinet, you may never use a real mic again. Don't exceed that power, or the Captor will overheat and go into thermal security. may not sound as well as you may hope.

Rich : Oh got it, and when you buy it, it can go into the unit? The DI output of the Captor connects to any product with a mic input, usually a mixing console or audio interface. 1- Marche/Arret Except where otherwise noted, content on this wiki is licensed under the following license: torpedo_captor:torpedo_captor_user_s_manual, 1.4 Disposal of Waste Equipment by Users in Private Household in the European Union, 2.

The power sent to the load is turned into heat, so please follow the cooling recommendation of Rich : Yeah that's awesome. The Guitar model is based on our classic Brit VintC 4×12 picked up with a Dyn57. The Torpedo Captor is an amplifier DI box, designed to be used between the amp head and the speaker cabinet. You will be guided step by step through the process. Imagine when you're in the studio, you may want to record, what I call, Wet Signal. Plus, recording the dry signal means the virtual miking can be done and fine-tuned after the actual recording. YouTube link. Many musicians get their sound from some particular use of that element Guillaume : Thank you Rich, very happy to have you. Guillaume : We provide MIDI control and you can control not only your presets, but also control any parameter. Product names and trademarks found in this document were used during the development of the Torpedo Captor product but are in no way associated or affiliated with OROSYS SAS. Thank you from everyone at Two notes.

The amplifier connected to the Torpedo Captor is no longer connected to its internal loadbox, but to whatever is connected to the other end of this cable. With your Torpedo Captor and WoS you have the best configuration to record amazingly good guitar or bass tones for all your musical projects. give you the tone you’re looking for - is rarely obtained at maximum volume. attempted by persons not authorized by OROSYS SAS. Power adapter connector for DI out and speaker simulation (phantom or 9-24V). warranty lasts, so the above limitations may not be applicable.

The speaker simulation embedded in the Captor is taken from our Le Preamp series. Alternatively, you can use either one as a backup for the other. End Of the Year Gift with this free preset. Sometimes you need a touch of magic to get the sound you are chasing – the Enhancer is a combination of dynamic and tone shaping tools, tailored for your guitar, and bass. You will be able to get a detailed and focused sound for your monitor or the front of house while keeping a low volume on stage. If you just require attenuation from your amp to your cab, Captor has you covered. Equipped with a Celestion® Vintage 30, Zilla® FatBaby, 1×12 Closed Back, 8 Ohms.

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