[5], The film has received generally positive reviews from critics.

-How does writer/director Kelly Reichardt draw on the tradition of social realist cinema? We don’t need that." “Ideally, you’re just looking at her, taking in the environment, and thinking about the story and the character.”. In terms of finding locations for the film, and creating a city that didn’t remind viewers of a specific part of the state, Faires explains he wanted to focus on how banal the town was rather than painting a beautiful portrait of Portland with the locations. A young woman, Wendy Carroll, is traveling to Alaska with her dog Lucy, where she hopes to find work at a cannery. If you disable this cookie, we will not be able to save your preferences. In between my [first] two features I was making these sorts of films but on Super 8. The insert shots of the mechanic shop were therefore cheated quite effectively.The Walgreens used in the film was the same location that the author had in mind while writing his story. “I think the most challenging aspect in coming up with Wendy’s ‘look’ was to make Michelle Williams feel real, while at the same time suppressing the natural beauty and glamor that Michelle exudes on screen,” says Amanda Needham.

“The colors hadn’t changed since the 70s,” observes Smith, who believed the space added to the production value of the film. The film is based on Train Choir, an original short story written by Portland native Jon Raymond, whose story captures the locations that surround his everyday life. “ I thought that gave me some license to let her kind of go dim and not fill her in, so you could see everything. AFI is a 501c3 non-profit advancing the art of the moving image by empowering storytellers and inspiring audiences, Kelly Reichardt and Jon Raymond were inspired to write WENDY AND LUCY after observing the poverty that ensued following Hurricane Katrina. Sam Levy is a cinematographer whose recent film credits includes Frances Ha (2013). "Tallahatchie Bridge": With those two simple words, the powerful images of a lost innocence, a murky river and a mysterious suicide spring to mind.

Her film is a sort of anti-road movie that captures the trials of a cash-strapped young woman and her dog held up by car troubles on their way to Alaska in search of work. Wendy and Lucy is a beautiful movie, filmed with breathtaking imagery in a town where “the mill once stood.” The film is available for DVD release by Oscilloscope Laboratories May 5, in a series of collector DVDs using specially crafted, environmentally friendly packaging for its box art.

In the opening of the film, we see her walking through a park, playing fetch with her yellow-gold companion Lucy. Movies. Ryan Warren Smith has worked in the art department of a number of feature films, including Into the Wild (2007), Meek's Cutoff (2011) and Restless (2011). -Why do you think the film resonated so strongly with audiences? “That’s a good case study of camera movements for Wendy and Lucy,” notes Levy. Our thanks to Peter Jordens for bringing this item to our attention and a shout out to a former student, Michael Gottwald, who is Executive Producer for the film, as he was for The Beasts of the Southern Wild. Soon the two collaborate on a successful business. I like Michelle Williams without the make-up - just a waif caught in a tough situation in a generic Americana setting. Abandoning her car and nearly penniless, Wendy goes to the home where Lucy lives. This means that every time you visit this website you will need to enable or disable cookies again. “I don’t know what it was, but I was never worried. In preparation for the film, the director made clear that she didn’t want to make use of a handheld camera and camera movement should be limited unless it’s following an action or a character. In an exclusive interview with Interiors, cinematographer Sam Levy, production designer Ryan Warren Smith, costume designer Amanda Needham and location manager Roger Faires spoke about their individual work as well as their overall relationship with the use of space and locations in the film. The mirror in the bathroom, which is essentially a sheet of metal, was added by Smith. “The decision to keep her in one look throughout the whole film was essential to understand her transitory state and in the end helped convey an over all despair in Wendy,” notes Needham.

This location is 90 miles west from where Wendy’s car is parked in Astoria, Oregon. After paying a fine, Wendy is released from police custody. In terms of the locations for the film, he also remarks that his work developed with conversations he had with the director. When her car breaks down, and her dog is taken to the pound, the thin fabric of her financial situation comes apart, and she is led through a series of increasingly dire economic decisions. Over the summer, a series of unfortunate happening triggers a financial crisis for a young woman and she soon finds her life falling apart. It previously had only released documentaries including DEAR ZACHARY and FLOW: FOR LOVE OF WATER. Free this Thursday, January 18th, at 7:30 PM. Title: Interiors is the critically-acclaimed Online Publication about Architecture and Film. And when the well dries up, that’s where I’ll go back.”. A look at a few chapters in the life of Poppy, a cheery, colorful, North London schoolteacher whose optimism tends to exasperate those around her.

Wendy and Lucy (2008) Director: Kelly Reichardt (Scene: 00:08:43 - 00:13:39, 00:33:09 - 00:34:40). Williams’ turn as Wendy contributes significantly. She always feels like someone you’ve encountered before. In keeping consistent with her character, the actress wore no make-up and was asked that she didn’t groom her eyebrows. The lives of three women intersect in small-town America, where each is imperfectly blazing a trail.

Wendy’s stay in Oregon is unexpected and unplanned, therefore the details of her wardrobe as that much more essential to the story itself. Cookie information is stored in your browser and performs functions such as recognising you when you return to our website and helping our team to understand which sections of the website you find most interesting and useful. Kelly Reichardt’s Wendy and Lucy (2008) is a film in which locations and space play a pivotal role.

In fact, the car was such a crucial aspect of the story that, for preparation for her character, Michelle Williams slept in the car for a week. -How would you characterize Kelly Reichardt’s style of filmmaking? Anonymous. She knows that what one does for a living for her, if they’re hired to do that film, then they’re just as important as any other aspect of the film.” This encouraged communication and resulted in a collective effort with everyone involved. Levy describes this space as “modern” in comparison to the other locations in the film. As in life, characters are sometimes plainly indifferent to her situation, while another, the security guard of a local pharmacy, must keep his altruism in check due to his dependence on his job and relationship. Catch it if you can. Because there was no time for rehearsal, Kelly Reichardt and Williams mailed items back and forth to each other, including books, movies and pictures of women in Alaska for inspiration.Â, WENDY AND LUCY was made for $300,000. Reichardt said, “We decided we were going to make a film about the economic situation in America – just the divide between the rich and poor [and] wondering what it takes to improve your situation and is this idea that in American anybody can improve their lot in life true?”. It’s interesting to note that the mechanic shop in the film, On the Go Auto Services Inc., which appears to be right across the street, was actually located a mile away. “I would look at inspirational photographs that Kelly had collaged to get the color texture.” In a film such as Wendy and Lucy, where we are offered a unique look at the surrounding landscapes, because the protagonist is constantly on the go, traveling through town on foot, locations are an essential part of the film.

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