If this item isn't available to be reserved nearby. A. Garrido Ardila, Editor, Michael Predmore, Contributor, is a testimony to women of color feminism as it emerged in the last quarter of the twentieth century. Originally released in 1981, This Bridge Called My Back is a testimony to women of color feminism as it emerged in the last quarter of the twentieth century. J. Nous voudrions effectuer une description ici mais le site que vous consultez ne nous en laisse pas la possibilité. “This Bridge Called My Back … has served as a significant rallying call for women of color for a generation, and this new edition keeps that call alive at a time when divisions prove ever more stubborn and dangerous.

Asian American Studies. “These essays and poems do more than just revisit the hopes, fears, frustrations, and accomplishments of women of color circa 1981; they also shed light on concerns women continue to face today…There are lines of poetry here sure to stir the imagination and connect with all ages, races, and genders... A poet, playwright, and cultural activist, Cherríe Moraga is Artist in Residence in the Department of Theater and Performance Studies and in the Comparative Studies in Race and Ethnicity Program at Stanford University. Reissued here, nearly thirty-five years after its inception, the fourth edition contains an extensive new introduction by Moraga, along with a previously unpublished statement by Gloria Anzaldúa. It’s almost All Hallows’ Eve: Light some candles, play some mood music, and summon your inner Willow for a deep communion with the history and practices of witchcraft... New Releases for Native American Heritage Month 2020, Powell's Interview: Rumaan Alam, author of 'Leave the World Behind'. Poetry, Bibliography, Creative nonfiction, American literature -- Minority authors -- Women authors, Feminism -- Literary collections, Minority women -- Literary collections, Radicalism -- Literary collections, SOCIAL SCIENCE / Ethnic Studies / Hispanic American Studies, Social Science / Ethnic Studies / African American Studies, Social Science / Feminism & Feminist Theory, Social Science / Women's Studies, Women -- Literary collections -- United States. I have loved this book for thirty years, and am so pleased we have returned with our stories, words, and attributes to the growing and resilient movement.”. Poetically wrought and filled with insight into intergenerational trauma, Native Country of the Heart is a reckoning with white American history and a piercing love letter from a fearless daughter to the mother she will never lose. Twenty years after its publication, we can now see how it helped to untether the production of knowledge from its disciplinary anchors—and not only in the field of women’s studies.

This reader—which provides a representative sample of the poetry, prose, fiction, and experimental autobiographical writing that Anzaldúa produced during her thirty-year career—demonstrates the breadth and philosophical depth of her work. Through personal essays, criticism, interviews, testimonials, poetry, and visual art, the collection explores, as coeditor Cherríe Moraga writes, “the complex confluence of … The new edition also includes visual artists whose work was produced during the same period as. The interviews contain clear explanations of Anzaldúa's original concept of the Borderlands and mestizaje and her subsequent revisions of these ideas; her use of the term New Tribalism as a disruptive category that redefines previous ethnocentric forms of nationalism; and what Anzaldúa calls conocimientos-- alternate ways of knowing that synthesize reflection with action to create knowledge systems that challenge the status quo.

I cherished it and returned to it often but somewhere along the line I loaned it to someone and it didn't come back. Highly personal and always rich in insight, these interviews, arranged and introduced by AnaLouise Keating, will not only serve as an accessible introduction to Anzaldúa's groundbreaking body of work, but will also be of significant interest to those already well-versed in her thinking. Updated and expanded edition of the foundational text of women of color feminism. The new edition also includes visual artists whose work was produced during the same period as Bridge, including Betye Saar, Ana Mendieta, and Yolanda López, as well as current contributor biographies. Originally released in 1981, This Bridge Called My Back is a testimony to women of color feminism as it emerged in the last quarter of the twentieth century.

. The book highlights empirical, theoretical and conceptual research that offers new ways of thinking about the work of educational leaders.

Latino/Latina Studies. First published in 1981 by Persephone Press. This Bridge Called My Back: Writings by Radical Women of Color is a feminist anthology edited by Cherríe Moraga and Gloria E. Anzaldúa. Following the initial email, you will be contacted by the shop to confirm that your item is available for collection. The Wretched of the Earth Frantz Fanon. This Bridge has allowed us to define the promise of research on race, gender, class and sexuality as profoundly linked to collaboration and coalition-building. Through personal essays, criticism, interviews, testimonials, poetry, and visual art, the collection explores, as coeditor Cherríe Moraga writes, “the complex confluence of identities—race, class, gender, and sexuality—systemic to women of color oppression and liberation.”, Reissued here, nearly thirty-five years after its inception, the fourth edition contains an extensive new introduction by Moraga, along with a previously unpublished statement by Gloria Anzaldúa. African American Studies. More than twenty years after the ground-breaking anthology This Bridge Called My Back called upon feminists to envision new forms of communities and practices, Gloria E. Anzaldúa and AnaLouise Keating have painstakingly assembled a new collection of over eighty original writings that offers a bold new vision of women-of-color consciousness for the twenty-first century. “Immense is my admiration for the ongoing dialogue and discourse on feminism, Indigenous feminism, the defining discussions in women of color movements and the broader movement. “[Lorde's] works will be important to those truly interested in growing up sensitive, intelligent, and aware.”—The New York Times In this charged collection of fifteen essays and speeches, Lorde takes on sexism, racism, ageism, homophobia, and class, and propounds social difference as a vehicle for action and change. Author : Cherríe Moraga,Gloria Anzaldua,Gloria Anzaldúa, Author : Gloria Anzaldúa,AnaLouise Keating, Author : Cherríe Moraga,Celia Herrera Rodriguez, Author : Richard Niesche,Amanda Heffernan, Author : M. Jacqui Alexander,Chandra Talpade Mohanty, This Bridge Called My Back, Fourth Edition, Theorising Identity and Subjectivity in Educational Leadership Research, Feminist Genealogies, Colonial Legacies, Democratic Futures, Polymers for Vibration Damping Applications, Transforming Research Libraries for the Global Knowledge Society, Liberalism or How to Turn Good Men into Whiners Weenies and Wimps, Metal Oxides in Nanocomposite-Based Electrochemical Sensors for Toxic Chemicals, Environment Modeling-Based Requirements Engineering for Software Intensive Systems, The Future of Intelligent Transport Systems, charlie and the chocolate factory book pdf, Thermal Protective Clothing for Firefighters, Electricity Transmission, Distribution and Storage Systems, Interpreting Aerial Photographs to Identify Natural Hazards, Infinity Fish: Economics and the Future of Fish and Fisheries. Through personal essays, criticism, interviews, testimonials, poetry, and visual art, the collection explores, as coeditor Cherríe Moraga writes, “the complex confluence of identities—race, class, gender, and sexuality—systemic to women of color oppression and liberation.” Reissued here, nearly thirty-five years after its inception, the fourth edition contains an extensive new introduction by Moraga, along with a previously unpublished statement by Gloria Anzaldúa.

The daughter, Cherríe Moraga, is a brilliant, pioneering, queer Latina feminist. Title: This Bridge Called My Back, Fourth Edition Author: Cherríe Moraga and Gloria Anzaldúa Created Date: 2/6/2015 11:33:16 AM , including Betye Saar, Ana Mendieta, and Yolanda López, as well as current contributor biographies. A much-cited text, its influence has been visible and broad both in academia and among activists. The new edition also includes visual artists whose work was produced during the same period as Bridge, including Betye Saar, Ana Mendieta, and Yolanda López, as well as current contributor biographies. As a young woman, Elvira left California to work as a cigarette girl in glamorous late-1920s Tijuana, where an ambiguous relationship with a wealthy white man taught her life lessons about power, sex, and opportunity.

This book is a guide that directs citizenry shadowed in hate, terror, suffering, disconnection, and pain toward the light of social justice, gender and erotic liberation, peace, and revolutionary love.

Written by women and men--both "of color" and "white"--this bridge we call home will challenge readers to rethink existing categories and invent new individual and collective identities. Updated and expanded edition of the foundational text of women of color feminism. 4.8 out of 5 stars 887 # 1 Best Seller in North Africa History.

A much-cited text, its influence has been visible and broad both in academia and among activists. ‘US Third World Feminism’ requires a re-peopling: the creation of planetary citizen-warriors. The mother, Elvira, was hired out as a child, along with her siblings, by their own father to pick cotton in California’s Imperial Valley. Paperback. Her work, which has been included in more than 100 anthologies to date, has helped to transform academic fields including American, Chicano/a, composition, ethnic, literary, and women’s studies. We owe much of the sound of our present voices to the brave scholars and feminists whose ideas and ideals crowd its pages.” — Shirley Geok-lin Lim, University of California, Santa Barbara “This book is a manifesto—the 1981 declaration of a new politics ‘US Third World Feminism.’ No great de-colonial writer, from Fanon, Shaarawi, Blackhawk, or Sartre, to Mountain Wolf Woman, de Beauvoir, Saussure, or Newton could have alone proclaimed this ‘politic born of necessity.’ This politic denies no truths: its luminosities drive into and through our bodies. Originally released in 1981, This Bridge Called My Back is a testimony to women of color feminism as it emerged in the last quarter of the twentieth century. This Bridge Called My Back: Writings by Radical Women of Color, State University of New York (SUNY) Press.

As her mother’s memory fails, Moraga is driven to unearth forgotten remnants of a U.S. Mexican diaspora, its indigenous origins, and an American story of cultural loss. This book changed my life when I read it in college in the late 90s.

$33.20. Addeddate 2017-01-24 20:46:04 Identifier in.ernet.dli.2015.182997 Identifier-ark ark:/13960/t5k98mp3f Ocr ABBYY FineReader 11.0 Ppi 600 Scanner Internet Archive Python library 1.1.0. plus-circle Add Review. This site is protected by reCAPTCHA and the Google. Then I discovered it was out of print. The chapters draw on a variety of approaches in theory and method to demonstrate the important new developments in understanding identity and subjectivity beyond the traditional ways of understanding and thinking about identity in the field of educational leadership. Try updating your location, or search on WorldCat. Native American Studies. Check out the new look and features, or go back to, Bronze Medalist, 2016 Independent Publisher Book Awards in the Anthologies Category. Originally released in 1981, This Bridge Called My Back is a testimony to women of color feminism as it emerged in the last quarter of the twentieth century.

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